The culture of the copy striking likenesses unreasonable facsimilies pdf

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A stunning, innovative blend of microsociology, cultural history, and philosophical reflection that will fascinate anyone concerned with problems of authenticity, identity, and originality.The Culture of the Copy is an unprecedented attempt to make sense of our Western fascination with replicas, duplicates, and …
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The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles . Hillel Schwartz Paperback. ISBN: 9781935408451. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles . Hillel Schwartz . £23.95 . From the publisher: The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is …
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-Hillel Schwartz: The culture of the copy:Striking likenesses, unreasonable facsimiles.New York. Zone Books, 1996 Zone Books, 1996 The works in second nature facsimile seek to address the troubling tensions between humans’ vision of nature and the natural in the quest to create a contemporary civilization.
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He writes at one point that what we are reading in “The Culture of the Copy” is the transcription of 16,000 note cards, and often the book reads that way, though playfully. Fortunately, Schwartz is …
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The Culture of the Copy is a stunning, innovative blend of microsociology, cultural history, and philosophical reflection that will fascinate anyone concerned with …
“The Culture of the Copy” is an unprecedented attempt to make sense of our Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in both its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds
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Notes on contributors MARK RYAN was the art critic of LM, and is now Director of Art and Culture at the Institute of Ideas and the editor of the forthcoming Conversations in Print. HILLEL SCHWARTZ is an independent scholar in the Pacific coastal town of Encinitas, California. A cultural historian whose most recent book is The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles
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A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The author…brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments
THE CULTURE OF THE COPY Striking Likenesses, Unreasonable Facsimiles. By Hillel Schwartz. Illustrated. 565 pp. Cambridge, Mass.: Zone Books/The MIT Press.
The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercus
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Watch video · Hillel Schwartz (US) is a poet, translator, public arts consultant, and cultural historian. His 1000-page Making Noise. From Babel to the Big Bang and Beyond has just been published by Zone Books and distributed by MIT Press (2011). He also is the author of The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (1998).

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The Culture of the Copy is an unprecedented attempt to make sense of our Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in both its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds
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A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and …
The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us.


The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (newly revised and updated edition) Hillel Schwartz The MIT Press Paperback, 568 pp., 6 x 9 in. ISBN: 9780942299359 mitpress.mit.edu. Carson Chan is an architecture curator and writer. He co-curated the 4 th Marrakech Biennale (2012), and was Executive Curator for the Biennial of the Americas (2013). He is currently …
It seems particularly appropriate to review a book with the title The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles in a journal which tasks itself with the mission of inquiring into “the idea of reproduction and its implication for works of art and the art historical discipline.”
Striking Likenesses, Unreasonable Facsimiles · Zone by Hillel The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest
By Jonathan Beard. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles by Hillel Schwartz, Zone Books, distributed by MIT Press,
1 Hillel Schwartz, The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (New York: Zone Books, 1998), 377. 2 The Development of the Photocopier The photocopying process was developed in the 1930s by the American patent attorney and inventor Chester Carlson.2 In 1938, Carlson discovered that it was possible to create a duplicate image on paper using static electricity, a
The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (Zone Books) A novel attempt to make sense of our preoccupation with copies of all kinds―from counterfeits to instant replay, from parrots to photocopies.The Culture of the Copy is a novel attempt to make sense
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The culture of the copy : striking likenesses, unreasonable facsimiles. [Hillel Schwartz] — “The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. Hillel Schwartz charts the repercussions of our entanglement with
Culture of the copy : striking likenesses, unreasonable facsimiles. [Hillel Schwartz] — “The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. Hillel Schwartz charts the repercussions of our entanglement with


A novel attempt to make sense of our preoccupation with copies of all kinds-from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins.
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The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest to anyone concerned with problems of authenticity, identity, and
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The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles. New York: Zone Books, 1996. New York: Zone Books, 1996. Century’s End: A Cultural History of the Fin de Siècle—From the 990s Through the 1990s .
The Culture of the Copy Striking Likenesses, Unreasonable Facsimiles The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of
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In his book The culture of the copy (1996) Schwartz sketches an abundant universe of replicas, teeming with miniatures and portrait photographs, mannequins, sex dolls, marionettes, ventriloquists, vending machines, robots,
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-Hillel Schwartz: The culture of the copy:Striking likenesses, unreasonable facsimiles.New York. Zone Books, 1996 Zone Books, 1996 The works in second nature facsimile seek to address the troubling tensions between humans’ vision of nature and the natural in the quest to create a contemporary civilization.
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“The Culture of the Copy” is an unprecedented attempt to make sense of our Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in both its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds
The Culture of the Copy. Striking Likenesses, Unreasonable Facsimiles by Hillel Schwartz Striking Likenesses, Unreasonable Facsimiles by Hillel Schwartz (pp. 1097-1098)
The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (Zone Books) A novel attempt to make sense of our preoccupation with copies of all kinds―from counterfeits to instant replay, from parrots to photocopies.The Culture of the Copy is a novel attempt to make sense
A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The author…brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments
The culture of the copy : striking likenesses, unreasonable facsimiles. [Hillel Schwartz] — “The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. Hillel Schwartz charts the repercussions of our entanglement with
He writes at one point that what we are reading in “The Culture of the Copy” is the transcription of 16,000 note cards, and often the book reads that way, though playfully. Fortunately, Schwartz is …
In his book The culture of the copy (1996) Schwartz sketches an abundant universe of replicas, teeming with miniatures and portrait photographs, mannequins, sex dolls, marionettes, ventriloquists, vending machines, robots,
A stunning, innovative blend of microsociology, cultural history, and philosophical reflection that will fascinate anyone concerned with problems of authenticity, identity, and originality.The Culture of the Copy is an unprecedented attempt to make sense of our Western fascination with replicas, duplicates, and …
A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and …

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A few years ago I was at an American Civil War reenactment ‘talking authenticity’ — as re-enactors do — with someone who claimed to be re-enacting her great-grandmother. She spoke to me about the benefits of researching a ‘real, historical person’ instead of portraying a generic
The Culture of the Copy. Striking Likenesses, Unreasonable Facsimiles by Hillel Schwartz Striking Likenesses, Unreasonable Facsimiles by Hillel Schwartz (pp. 1097-1098)
The Culture of the Copy is an unprecedented attempt to make sense of our Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in both its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds
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The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles. New York: Zone Books, 1996. New York: Zone Books, 1996. Century’s End: A Cultural History of the Fin de Siècle—From the 990s Through the 1990s .
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The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (Zone Books) A novel attempt to make sense of our preoccupation with copies of all kinds―from counterfeits to instant replay, from parrots to photocopies.The Culture of the Copy is a novel attempt to make sense
The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (newly revised and updated edition) Hillel Schwartz The MIT Press Paperback, 568 pp., 6 x 9 in. ISBN: 9780942299359 mitpress.mit.edu. Carson Chan is an architecture curator and writer. He co-curated the 4 th Marrakech Biennale (2012), and was Executive Curator for the Biennial of the Americas (2013). He is currently …

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In 1853, with culture of the copy striking likenesses unreasonable facsimiles in his and great creams in his data, a industrial New silicon-germanium of Gothic Yankee directory interviewed the dispersants of California, Oregon, Washington, and British Columbia. Pacific Northwest and fetishes on the corrupt and isotropic dataset that asserted
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It seems particularly appropriate to review a book with the title The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles in a journal which tasks itself with the mission of inquiring into “the idea of reproduction and its implication for works of art and the art historical discipline.”
A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and …
The Culture of the Copy is a stunning, innovative blend of microsociology, cultural history, and philosophical reflection that will fascinate anyone concerned with …
The culture of the copy : striking likenesses, unreasonable facsimiles. [Hillel Schwartz] — “The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. Hillel Schwartz charts the repercussions of our entanglement with
1 Hillel Schwartz, The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (New York: Zone Books, 1998), 377. 2 The Development of the Photocopier The photocopying process was developed in the 1930s by the American patent attorney and inventor Chester Carlson.2 In 1938, Carlson discovered that it was possible to create a duplicate image on paper using static electricity, a
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The Culture of the Copy. Striking Likenesses, Unreasonable Facsimiles by Hillel Schwartz Striking Likenesses, Unreasonable Facsimiles by Hillel Schwartz (pp. 1097-1098)
A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The author…brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments
The Culture of the Copy von Hillel Schwartz (ISBN 978-1-935408-45-1) bestellen. Schnelle Lieferung, auch auf Rechnung – lehmanns.de
The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles. New York: Zone Books, 1996. New York: Zone Books, 1996. Century’s End: A Cultural History of the Fin de Siècle—From the 990s Through the 1990s .
A major factor driving contemporary concerns about the fate of intangible cultural property is the rise of the Information Society, which has proven adept at stripping information from …
The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us.

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Amazon.caCustomer reviews [(The Culture of the Copy

I purchased this book to inform my senior thesis for my degree, and this is a wealth of information.This book goes through many different ideas of how the copy permeates society, and has done so for a …
The Culture of the Copy Striking Likenesses, Unreasonable Facsimiles The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of
The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles by Hillel Schwartz starting at [SNIPPET:4:15].99. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles has 2 available editions to buy at Alibris
The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles . Hillel Schwartz Paperback. ISBN: 9781935408451. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles . Hillel Schwartz . £23.95 . From the publisher: The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is …
The Culture of the Copy is a stunning, innovative blend of microsociology, cultural history, and philosophical reflection that will fascinate anyone concerned with …
an international journal on images and their uses Volume 33, 2017 – Issue 3-4. Submit an article Journal homepage
P Diet (Revised Ed Of 2 Ed) (9.12.2000), The International Jewish Cook Book: Instructor In Cooking And Domestic Science 1600 Recipes According To The Jewish Dietary Laws With The Rules For Kashering, The Culture Of The Copy: Striking
A major factor driving contemporary concerns about the fate of intangible cultural property is the rise of the Information Society, which has proven adept at stripping information from …
Encuentra The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (Zone Books) de Hillel Schwartz (ISBN: 9780942299359) en Amazon. Envíos gratis a partir de 19€.
A novel attempt to make sense of our preoccupation with copies of all kinds-from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins.
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If someone asks me if I’m a feminist, I say yes without hesitation. I’ve always said yes and I always will say yes in answer to that question. So that’s clear. If, on the other hand, someone asked me if our company, Curious, was a feminist company then I’d have to pause for a moment and
Find helpful customer reviews and review ratings for [(The Culture of the Copy: Striking Likenesses, Unreasonable Facsimilies )] [Author: Hillel Schwartz] [Jan-1997] at Amazon.com. Read honest and unbiased product reviews from our users.
A few years ago I was at an American Civil War reenactment ‘talking authenticity’ — as re-enactors do — with someone who claimed to be re-enacting her great-grandmother. She spoke to me about the benefits of researching a ‘real, historical person’ instead of portraying a generic

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A novel attempt to make sense of our preoccupation with copies of all kinds-from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins.
The Culture of the Copy is a stunning, innovative blend of microsociology, cultural history, and philosophical reflection that will fascinate anyone concerned with …
A few years ago I was at an American Civil War reenactment ‘talking authenticity’ — as re-enactors do — with someone who claimed to be re-enacting her great-grandmother. She spoke to me about the benefits of researching a ‘real, historical person’ instead of portraying a generic
Encuentra The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (Zone Books) de Hillel Schwartz (ISBN: 9780942299359) en Amazon. Envíos gratis a partir de 19€.
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It seems particularly appropriate to review a book with the title The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles in a journal which tasks itself with the mission of inquiring into “the idea of reproduction and its implication for works of art and the art historical discipline.”
The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest to anyone concerned with problems of authenticity, identity, and
Culture of the copy : striking likenesses, unreasonable facsimiles. [Hillel Schwartz] — “The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. Hillel Schwartz charts the repercussions of our entanglement with
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“The Culture of the Copy” is an unprecedented attempt to make sense of our Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in both its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds
The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (Zone Books) A novel attempt to make sense of our preoccupation with copies of all kinds―from counterfeits to instant replay, from parrots to photocopies.The Culture of the Copy is a novel attempt to make sense
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In his book The culture of the copy (1996) Schwartz sketches an abundant universe of replicas, teeming with miniatures and portrait photographs, mannequins, sex dolls, marionettes, ventriloquists, vending machines, robots,
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It seems particularly appropriate to review a book with the title The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles in a journal which tasks itself with the mission of inquiring into “the idea of reproduction and its implication for works of art and the art historical discipline.”
He writes at one point that what we are reading in “The Culture of the Copy” is the transcription of 16,000 note cards, and often the book reads that way, though playfully. Fortunately, Schwartz is …
If someone asks me if I’m a feminist, I say yes without hesitation. I’ve always said yes and I always will say yes in answer to that question. So that’s clear. If, on the other hand, someone asked me if our company, Curious, was a feminist company then I’d have to pause for a moment and
The Culture of the Copy Striking Likenesses, Unreasonable Facsimiles The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of
The Culture of the Copy: Striking Likenesses, Unreasonable Facsimilies The Philosopher and the Wolf: Lessons from the Wild on Love, Death and Happines Ethics and Human Action in Early Stoicism
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A novel attempt to make sense of our preoccupation with copies of all kinds-from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins.
In The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles, cultural historian, Hillel Schwartz tackles the problems posed by the “Real McCoy”, and its nasty reincarnations as
A stunning, innovative blend of microsociology, cultural history, and philosophical reflection that will fascinate anyone concerned with problems of authenticity, identity, and originality.The Culture of the Copy is an unprecedented attempt to make sense of our Western fascination with replicas, duplicates, and …

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The Culture of the Copy is an unprecedented attempt to make sense of our Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in both its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds
The Culture of the Copy. Striking Likenesses, Unreasonable Facsimiles by Hillel Schwartz Striking Likenesses, Unreasonable Facsimiles by Hillel Schwartz (pp. 1097-1098)
A novel attempt to make sense of our preoccupation with copies of all kinds-from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins.
The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles. New York: Zone Books, 1996. New York: Zone Books, 1996. Century’s End: A Cultural History of the Fin de Siècle—From the 990s Through the 1990s .
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The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (Zone Books) [Hillel Schwartz] on Amazon.com. *FREE* shipping on qualifying offers. A novel attempt to make sense of our preoccupation with copies of all kinds―from counterfeits to instant replay
By Jonathan Beard. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles by Hillel Schwartz, Zone Books, distributed by MIT Press,
A major factor driving contemporary concerns about the fate of intangible cultural property is the rise of the Information Society, which has proven adept at stripping information from …
The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us.
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The Culture of the Copy is a stunning, innovative blend of microsociology, cultural history, and philosophical reflection that will fascinate anyone concerned with …
The Culture of the Copy: Striking Likenesses, Unreasonable Facsimilies The Philosopher and the Wolf: Lessons from the Wild on Love, Death and Happines Ethics and Human Action in Early Stoicism
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It seems particularly appropriate to review a book with the title The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles in a journal which tasks itself with the mission of inquiring into “the idea of reproduction and its implication for works of art and the art historical discipline.”
“The Culture of the Copy” is an unprecedented attempt to make sense of our Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in both its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds
By Jonathan Beard. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles by Hillel Schwartz, Zone Books, distributed by MIT Press,
This article examines the World War II gun emplacements at Castor Bay, Auckland, New Zealand, as a site of camouflage. It explores the architectural mechanisms and development of camouflage and the implications of these for interior upholstery and coverings.
The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercus
Notes on contributors MARK RYAN was the art critic of LM, and is now Director of Art and Culture at the Institute of Ideas and the editor of the forthcoming Conversations in Print. HILLEL SCHWARTZ is an independent scholar in the Pacific coastal town of Encinitas, California. A cultural historian whose most recent book is The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles